At the end of Republic VI. Socrates compares the Good with the sun as a cause both of existence and intelligibility. Afterwards, when he continues and expands this comparison, the symbolism becomes so complex that the interpretation of almost every part of it is in dispute. We start with the contrast of light and darkness; to this is next added the contrast of image and original, and also of up and down along a vertical line; in the allegory of the (...) Cave these three sets of contrasted terms are worked in together so as to explain the effect on the soul of the intellectual education by which we are converted from what is dark and imitative and ascend finally to knowledge of the Good. (shrink)

At the end of Republic VI. Socrates compares the Good with the sun as a cause both of existence and intelligibility. Afterwards, when he continues and expands this comparison, the symbolism becomes so complex that the interpretation of almost every part of it is in dispute. We start with the contrast of light and darkness; to this is next added the contrast of image and original, and also of up and down along a vertical line; in the allegory of the (...) Cave these three sets of contrasted terms are worked in together so as to explain the effect on the soul of the intellectual education by which we are converted from what is dark and imitative and ascend finally to knowledge of the Good. (shrink)

In Professor Ferguson's renewed study of these similes he has introduced a very detailed and careful analysis of Plato's analogies in order to explain and support his interpretation. He has also attacked the view which I put forward in 1932, and I should like to say something in defence of that view, not in any polemical spirit, but from a perhaps too obstinate belief that my reading of the passage does rest on solid foundations. I will not attempt any comprehensive (...) discussion of Professor Ferguson's theories, either in their earlier or their present form, but merely try to indicate what seems to me the real issue between us. (shrink)

The reply which Socrates makes to Zeno in the Parmenides and that which he makes to the φιλοθμονς in the Republic are perhaps connected chiefly by the fact that a false interpretation of either might prejudice the other, but it seems convenient to take them together for that reason even if they have not much actual connection in themselves. Both are controversial, and in the case of Socrates' reply to Zeno, no re-statement of it could be secure which did not (...) take account of Parmenides' reply to Socrates. For if Parmenides, as is maintained by some, is not attacking the doctrine of forms as such, but only Socratic theories of their relation with particulars, it would be natural to think that these theories about ‘participation’ had been the substance of Socrates' answer to Zeno. So it is impossible to avoid some discussion of the later passage, however cursory, as a preliminary. (shrink)

In Professor Ferguson's renewed study of these similes he has introduced a very detailed and careful analysis of Plato's analogies in order to explain and support his interpretation. He has also attacked the view which I put forward in 1932, and I should like to say something in defence of that view, not in any polemical spirit, but from a perhaps too obstinate belief that my reading of the passage does rest on solid foundations. I will not attempt any comprehensive (...) discussion of Professor Ferguson's theories, either in their earlier or their present form, but merely try to indicate what seems to me the real issue between us. (shrink)

The Republic represents the good life as some sort of harmony or composition between the different interests of which the threefold nature of the soul makes it capable. The rational factor, τ λολιστικν, not only chooses which impulses shall be satisfied and which rejected but is credited also with impulses of its own, such as the desire for knowledge, to the importance of which the Republic testifies by various strands of argument. But in Plato's attempt to prove the goodness of (...) this mixed life he may be thought to have relied too much on arguments about its pleasantness. If he had really meant from the first to prove against Thrasymachus that the just life is more prolific in pleasure1 than the unjust, he would have had to undertake the task of proving a necessary connection between just activities and pleasant states of feeling which could scarcely exist unless feelings were under the control of the will. If this had been his intention, the whole weight of the argument would rest on the two comparatively short passages in Book IX in which he makes first a dubious appeal to experience and then, by an equally dubious piece of metaphysics, attempts to reinforce his ethical conclusion by denying the reality of such pleasures as might tend to throw doubt on it. (shrink)

An impressive array of succinct expositions of a large variety of British and American epistemological theories. Bergson and the Vienna Circle are also treated in detail. Idealism, Realism, and Pragmatism are discussed as well as constructionist, intuitional, and organismic theories.--R. C. N.

What cognitive process allows a spectator to experience shock and surprise at a character’s actions, yet, a moment later, to decide that the actions presented onstage are coherent and understandable? Drawing upon theories of mindreading and conceptual blending, I offer a dynamic model of character that accounts for surprise, ambiguity, and dramatic shifts of understanding. Subtle changes to one’s perceptions, empathic imagination, and social knowledge—the sort of changes that accumulate throughout the viewing of Shakespeare’s Twelfth Night —can alter one’s understanding (...) of a character in unexpected ways. (shrink)

A well-documented defense of the thesis that St. Augustine held the city of man, especially Rome, to contain many relative goods, however evil it was from the absolute standpoint of goodness consisting in the worship of the true God. O'Meara discusses in some detail many contemporary critics, e.g., Ernest Barker, who oppose this interpretation, and argues on the basis of historical circumstance and Augustine's own declarations in works other than the City of God.--R. C. N.

The paper is devoted to the research by H. Petrovsky “Desturbance of the Sign. Culture against Transcendence.” The article attempts a reconstruction of some important conceptual topoi of the book. The ideas of the book are presented through the material of one of the chapters — the photo archive of Zofia Rydet. The second part offers a conceptual variation of a different type, due to J.-M. Vappereau, which is related to the range of issues raised in the book.